Memories and recepies: The Granduer

Dhumbataka taka taka taka....taka.... dudhum dudhum....dhumbataka......taka...taka...sound of Dhak. "Maa aaschhe Maa eesechhe Durga Durga," were the voices/noices emitting from the houses and buildings around, all heads hanging out from windows, verandah, terrace and balconies. The roads, the by lanes all jam packed Maa is arriving to her " Baaper Badi", these are the sound of acknowledgement of warm welcome to her and to her four children Maa Saraswati, Maa Lakhi, Sri Ganesha and Sri Kartikeya.

Maa Durga idols are brought to the Puja Pandals on the evening of Panchami in tempos and trucks, with the beating of the Dhak, with the echoing of "Durga mai ki jai" shank naad, with the clanging of thal and with the emitting purified dhuni smokes. Standing in my balcony I used to watch all this admist the hulla bulla, the arrival of the year- long awaited festival,

"THE DURGA PUJA".

The Dhak or dhol is a huge drum used during the Aarti in Puja Pandals. Durga Puja is the most important and incredible festival of Bengal,and especially Bengalees. The sound of dhak is so overwhelming that it overpowers your senses and makes you sway to its dhun (sound) these overwhelming sound were emitting from every nook and corner of my para(area)from all the Puja Pandals, within a span of rarely 1 km. Loud speakers, light and lighting, would make the area live and lively for a span of six days, where the night merges with the day. The long awaited festival comes every year, with loads and loads of the challenges to the organisers(The Puja Committees). The Puja Pandals and the idol of Maa Durga, were created and decorated in a special way with each and every Pandal being unique in itself, for, these Pandals and idols set an example and were always into competition with the other Pandals and also with other areas. Thus a real challenge to the idol makers as well as to the Pandal decorater. Bengalis are creative people with creative mind so the Pandals are all mind blowing with incredible imagination.

This was, and is, my favourite festival and I longingly wait for it the whole year. The spirit of Puja begins a month before the actual Puja day, shopping being the major part. In context to shopping, village melas too were organised in different parts of the city. Six days of self deck ups adoring oneself, you have to look your best. "Notun kapod" this was necessary and we too used to get four sets of new clothes during the Durga Puja. No shopping for the rest of the year except your birthday dress. So the Kapdawala is approached in advance to deliver the clothes. And now, the search begins for different designs and a good tailor. Surely, you are lucky if you get one according to your taste and time. For the rush and time is hectic as well as precious. Next is the chanda collection by the organisers all para boys will be hopping door to door collecting chanda(donations). In between this one month a week prior to Puja comes the holy day" Mahalaya", The Devipaksha lunar day. This is the day of Amavasya where, in the early morning on the ghats of Ganga (River Hooghly) the Idol of Maa Durga is painted with the chantings of Chandi paat, Devimahatmyam, Mahishasura mardini shlokas. The artist begins painting, starting from the eyes. The eyes are painted first. All India radio would be playing the Mahalaya hyms by Birendra Krishna das, every houses would be playing the radio and listening. The aura is blissful with echoing mantras, since, it is believed that on the day of Mahalaya, Devi Maa Durga, is descending to the earth to bless her children. The thrill, the excitement begins from that day, and is up to the brim till the Puja day.

"Shubho Shasti" the day begins with shubha mantras, dhak baja, dhuni and chitter chatter of children. People from near by areas would be hooked onto the Pandals for four to five days, from early morning till late evening relishing the bhog prasad, evening dhuni dances and cultural programmes. Everyone would be coloured in the festive moods. Pandal hopping was the best part. All ladies and girls would be decked up in their best attire looking dashing and beautiful,swaying, giggling and dancing to the beats of the dhak and to the film songs emitting from the loudspeakers. All ladies would look like angels and damsels. Each Pandals would be jam packed and crowded. People would throng to the food stalls and to the various other stalls set up by the hawkers. This thronging to food stalls was my favourite too, for, only on these four days we too were allowed to have our ways and also outside food. "Puchka" my favourite. I would relish this to my hearts content. There used to be a puchka eating competition, where, in a minute, you have to hog on as much puchka as you can. It was a real tough one but there were lots and lots of competitors and the richest was Puchkawala. All the hawkers were mostly from small villages and they loved Durga Puja since it filled their pockets with money for the entire year.

I would now take you all to one of my Pandal hopping experience. Evening was the most craziest during Puja. Girls loved to deck up and glanced for a admiring look too. Me too decked up in my best attire and dolled up with all Beauty products thought myself to be a heroine. Different hair styles foot wear earrings all in one go. I tried out the pencil pointer heels for the first time. Maxies and middies were in fashion and I wearing one was thinking myself to be, not less than Zeenat Aman. Thus flaunting myself I along with my friends were hopping Pandals. Here I would like to pen down some most exciting part of Puja and Puja celebrations. Young girls and boys in their best attires do desire for a glance from the opposites and most of the heart throbbing effects and first crushes begins here. Puja Pandals were a blooming platform for many young lovers and lovestory. The onlookers like me too enjoyed these glances and lovey dovey of couples. I along with my friends were just calculating the lovey dovey couples in the Pandal when I felt two eyes piercing through my friend standing beside me. As I was checking who the boldest was, I tripped over my Maxie and landed flat on to the ground with twisted ankel and broken pointers of my heels. Nevertheless, I haven't worn any after this incident. The evening was lost in pain and me confined to home for two days. Confining to home during Puja is the most dreadful thing. But I somehow found solace in the Bollywood songs emitting out from the loudspeaker and made my day.

The last day of Puja is once again the saddest, bidding farewell to Maa, all elderly ladies and newly wedded couples and "bau maa's" would gather around and would apply Sindoor to each other and to Maa Durga wishing everlasting blissful married life and sowbhagya.

Murti of Maa Durga would be embarked from the stage on to the tempos and truck with procession and proceeding of people, clanging the thal blowing the shank and Dhak. Women, in "Lal parer Saree" would be leading the procession throwing Sindoor and hod dena (auspicious sound). The bank of Hooghly river would be full with people bidding farewell to Maa Durga with tears of joy in their eyes, promising another year-long wait for her arrival.